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HOT WHEELS NOSTALGIA DC COMICS HARLEY QUINN BREAD BOX (2) by jadafiend on Flickr.
HOT WHEELS NOSTALGIA DC COMICS HARLEY QUINN BREAD BOX (1) by jadafiend on Flickr.
Comics Xchange 2011 by Parka81 on Flickr.Via Flickr:Comics Xchange 2011 at Goodman Arts Centre
HOT WHEELS NOSTALGIA DC COMICS SUPERMAN ‘64 GMC PANEL (2) by jadafiend on Flickr.
Star Wars Art: Comics by Parka81 on Flickr.Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.

Star Wars Art: Comics by Parka81 on Flickr.

Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.

HOT WHEELS NOSTALGIA DC COMICS WONDER WOMAN DECO DELIVERY (1) by jadafiend on Flickr.
Setting the Standard: Comics by Alex Toth 1952-1954 - pages by fantagraphics on Flickr.Via Flickr:
Alex Toth’s influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the “comic book artist’s artist.” Setting the Standard collects the entirety of this highly influential body of work in one substantial volume.
Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of “showoff surface tricks, clutter, and distracting picture elements.” Simply put, he learned “how to tell a story, to the exclusion of all else.”
After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth’s personal favorites. “I came to prefer them for the quieter, more credible, natural human equations they dealt with — emotions, subtleties of gesture, expression, attitude.”
To explain his take on comics, Toth would quote such proverbs as “To add to truth distracts from it,” or “The beauty of the simple thing.” He employed these axioms “to make clear how universal this pursuit of truth, clarity, simplicity, economy, in all the arts and many other disciplines really is — and has been for 6,000 years.” These and other observations regarding the comic book form will be collected in an essay based on Toth’s published and unpublished letters and interviews.
Every page of Setting the Standard is restored to bring Toth’s unsurpassed graphics and page designs into full clarity, making this an essential edition for anyone with an appreciation of the art of graphic storytelling.
432-page full color 7.5” x 10.5” softcover
ISBN: 978-1-60699-408-5

Setting the Standard: Comics by Alex Toth 1952-1954 - pages by fantagraphics on Flickr.

Via Flickr:
Alex Toth’s influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the “comic book artist’s artist.” Setting the Standard collects the entirety of this highly influential body of work in one substantial volume.

Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of “showoff surface tricks, clutter, and distracting picture elements.” Simply put, he learned “how to tell a story, to the exclusion of all else.”

After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth’s personal favorites. “I came to prefer them for the quieter, more credible, natural human equations they dealt with — emotions, subtleties of gesture, expression, attitude.”

To explain his take on comics, Toth would quote such proverbs as “To add to truth distracts from it,” or “The beauty of the simple thing.” He employed these axioms “to make clear how universal this pursuit of truth, clarity, simplicity, economy, in all the arts and many other disciplines really is — and has been for 6,000 years.” These and other observations regarding the comic book form will be collected in an essay based on Toth’s published and unpublished letters and interviews.

Every page of Setting the Standard is restored to bring Toth’s unsurpassed graphics and page designs into full clarity, making this an essential edition for anyone with an appreciation of the art of graphic storytelling.

432-page full color 7.5” x 10.5” softcover
ISBN: 978-1-60699-408-5

Comics Xchange 2011 by Parka81 on Flickr.Via Flickr:Comics Xchange 2011 at Goodman Arts Centre
Star Wars Art: Comics by Parka81 on Flickr.Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.

Star Wars Art: Comics by Parka81 on Flickr.

Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.

Star Wars Art: Comics by Parka81 on Flickr.Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.

Star Wars Art: Comics by Parka81 on Flickr.

Via Flickr:
Check out my review for Star Wars Art: Comics and the list of art books I’ve reviewed.